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Savion Spencer

of

New York, NY, US

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Home

by

Savion Spencer


To The Thought That One
Could Ever Leave-

HOME

there
on a field of condoms and crack vials
victims again of their conspired denials
where their nights are dark
and their days darker
where some choose to conceive
knowing
where encoded bruises
are left behind

a quick-fix of love or potions
to relieve discomforts
of hidden emotions
treated once again
with such violent elegance

reduced to a role
a lifeless soul
with so little time
to savor and suffer

they manage to pass
the desperate hours
with naked expression
with shattered hearts

it was left behind
their hysterical society
where they were different
at least to them

please not speak of virtue
as too little would be certain
and please not speak of verdicts
that may return to you

the time goes on
for robert and brigham and evelyn and roger
for alfred and his brother
for billy and his mother
for all once were
so they still are
a part
of
home


Voiceless Wishes

by

Savion Spencer



there
behind a poorly hidden inviting smile
with an indented midsection and a biscuit butt--
early on the rise and calves--slickedy smooth
still awkward in beauty though complete in composition
unable to hide the tremoring fingers
and screaming anticipation
surges of instinct and stampeding excitement
dashed the barriers of consciousness that had
rendered unattended our desperate affections
left incapable of pretending not to know
sacredest territories were suddenly exposed
anonymous desires and unclaimed wishes
met for nourishment and hugs & kisses
a relaxed entrance lined with welcome and
thought filled motions in united isolation
in space rendered undisguised and obvious
with truth and fidelity and unquestioned sincerity
unwithheld sounds of inner excitement
through unchartered passages and internal delightment
we quietly laid in our sacred cuddle
binded by evidence and mingled perspiration
in what was left of our mutual explanation
rich with account and certain in spirit
the rare spare moments in life when we live it


The Buffalo Roadhouse (1981)

by

Savion Spencer



i can take it
the west side highway again
tough getting over
the loss of some friends
at happ'ning joints
we sat for hours
swappin pasts and dreams
fast food and sours
and as we grew
one thing we knew
from what we'd been through
and all the care
that in our future
we'd each be there
he moved his lips
he raised his head
the n.y. times said
150 might surely be dead
and then the wonder
paralyzing wonder
the mother and father
of lightning and thunder
in its speed it surely came
sparing none with its blame
shadowy cremations
revealed the shame
i thought i failed
somewhere in our talks
cause i got precautious
early in my walk
with amended realities
i look ahead these days
thanking the powers
i could change my ways
i recall the bounce
of that highway beneath
of all it had meant
and all it could teach


Tattoos Don't Bleed On Dead Skin

by

Savion Spencer



there
we were taken long before we were ready
through barely lit rooms of horror and pain
where air is shared with unwelcoming scents
bouquets of antiseptic and cancer and the plague
surrounded by shelves up high in rows
candy jars filled with formaldehyde and hearts
tendered most naively then very sharply broken
not once or twice but over and over and over again
and not out of necessity no not out of need
broken for one reason: because they could be
my eyes they burned at every turn
i saw an archway short and narrow
and hit both sides fighting to get through
to the room of remains all open for view
in their clothes saturated not only with them
but with flies and worms and slugs and bugs
and empty boxes for dahmer and manson and his gang
in this room they kept the murdered saints
with a running nose i tried not to breathe
the lights went out so i had to feel
ahead down below to a faint flickering glow
to a forsakened place where angels no longer go
met by escorts we were silently led
through a corridor like life
where souls on fire are just passed by
a telling quiet the only warning
before sounds of air rushing thru their flames
staggering stuns strike long after the pain
not once or twice but over and over and over again
i begged the escorts to help me get back
i wanna go back to nana and the pact
if not for long for just a little while
back to the late late show
the million dollar movie
the overbearing seventies
the harrad experiment and the stepford wives
billy jack and the pam grier flicks
a time when hate seemed to decline
any time in my life that was pre aids
not hard to see this was not gonna be
heard by my ears eyes and soul: depend on us not
we speak only the language of convenience
no longer led we were now being pushed
into a room of memories and primitive senses
the short lived days of incomplete duets
times of promise and times of ignorance
with vanishing images and voices unseen
terrorizing fear recreates the view
up on the wall presented cinematically
were replays of harm and base humiliation
imposed degradation and personal moments of shame
times we wished God was not watching
uncomfortable times when life painfully describes
for us who we were then then
i was tapped on the shoulder by the Saviour in me
saying wake up wake up do this not for Thee
or was it a necessary or unnecessary torment
for seasons of fallacy and spells of fraud
or for when and why we chose not to see
how the feelings of one affects us all
and the immeasurable value of every soul